Sunday, February 7, 2010

Lupe Velez

Olivia de Havilland

Vivien Leigh

Carole Lombard

Phyllis Gordon
 

Veronica Lake

Lupe Velez

Dolores Del Rio

Josephine Baker

Diana Dors with an implied threat, I'd say.
 

Britt Ekland

Marilyn Monroe

Joan Bennett on the set of
The Woman in the Window (1944)

Ava Gardner

Anne Baxter at the Cannes Film Festival, 1953
 
Here's some spooky starlets to help celebrate the holiday.



Pier Angeli


Ann Savage


Ava Gardner


Nancy Carroll


Nancy Carroll


Joan Crawford


Etchika Choureau


Dusty Anderson


Betty Grable


Adele Jergens


Lillian Wells


Gloria Saunders


Janet Leigh


Martha Vickers

Bluebeard's Eighth Wife (1938)

Bluebeard's Eighth Wife (1938)

with John Payne in Remember the Day (1941)





 

Jane Alexander

Lena Olin in Romeo Is Bleeding (1993)

Angelina Jolie

Christina Ricci

Anjelica Huston The Witches (1990)

Anna Friel

Beatrice Dalle

Clarissa Leone

Eva Green

Katee Sackhoff
 

with James Cagney in The Roaring Twenties (1939)

with James Cagney in The Roaring Twenties (1939)
 

with Herbert Marshall in Blonde Venus (1932)

with Edward G. Robinson in Manpower (1941)

Angel (1937)

Blonde Venus (1932)

Angel (1937)

The Song of Songs (1933)

Destry Rides Again (1939)
 
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There is actually very little information available on this very talented but mostly forgotten actress. If she is known at all, it is as the wife of billionaire nut-case Howard Hughes. Instead of my inserting random biographical snippets between the photos this time, allow me to recommend this very good biography of Jean Peters at Jackal's Film Corner.




Captain from Castile (1947)

Captain from Castile (1947)

Captain from Castile (1947)

Captain from Castile (1947)

It Happens Every Spring (1949)

Anne of the Indies (1951)

Anne of the Indies (1951) with Louis Jourdan

Anne of the Indies (1951) with Debra Paget

Anne of the Indies (1951)

Viva Zapata! (1952)

Viva Zapata! (1952) with Marlon Brando

Viva Zapata! (1952)

Viva Zapata! (1952)

with Farley Granger in O. Henry's Full House (1952)

Lure of the Wilderness (1952)

Lure of the Wilderness (1952) with Jeffrey Hunter

Lure of the Wilderness (1952) with Jeffrey Hunter

Lure of the Wilderness (1952)

with Max Showalter and Marilyn Monroe in Niagara (1953)

with Marilyn Monroe in Niagara (1953)

with Max Showalter and Joseph Cotten in Niagara (1953)

Pickup on South Street (1953)

Pickup on South Street (1953)

with Richard Widmark in Pickup on South Street (1953)

with Richard Widmark in Pickup on South Street (1953)

with Thelma Ritter in Pickup on South Street (1953)

Pickup on South Street (1953)

with Richard Widmark in Pickup on South Street (1953)

with Thelma Ritter in Pickup on South Street (1953)

A Blueprint for Murder (1953)


with Joseph Cotten in A Blueprint for Murder (1953)

with Gary Merrill and Joseph Cotten in A Blueprint for Murder (1953)

with Joseph Cotten in A Blueprint for Murder (1953)

with Rossano Brazzi in Three Coins in the Fountain (1954)

Clifton Webb, Dorothy McGuire, Jean Peters, Louis Jourdan,
Rossano Brazzi and Maggie McNamara in
Three Coins in the Fountain (1954)

Clifton Webb, Dorothy McGuire, Jean Peters & Louis Jourdan in
Three Coins in the Fountain (1954)

Apache (1954)

Apache (1954)







 









 
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The Treasures of the World’s Cultures exhibition brings together objects from the unparalleled collection of the British Museum. It is formed of artefacts from all historical eras and from all parts of the world.  From a stone handaxe that represents the first technology of our earliest human ancestors, the exhibition surveys human culture across civilisations, tracing the history of mankind from prehistory to the modern age.



The displayed material is both materially and visually diverse, ranging from classical sculptures to exquisite gold jewellery excavated in ancient Mesopotamia, from drawings by Renaissance masters to Native North American animal-skin coats.  The exhibition is divided into seven principle sections, the objects being organised according to geography and chronology. Object descriptions and introductory texts will encourage audiences to compare and contrast human experience and cultural achievement across time and place.



The Treasures exhibition allows the visitor to experience, in a distilled form, the breadth and diversity of the British Museum collection as it is presented in London.  This is the first time that this successful exhibition will be displayed at a European venue.





Here are few artifacts that will be displayed:



Bronze statuette of the goddess Bastet love







Sarcophagus Dzheho





Brass plaque from Benin







Kneeling statue of Ramses IV







Fragment of a copy of the Rosetta Stone







A copy of the Rosetta Stone







Bronze Shield from Wales and England





The image of the head of a bearded man, Khorsabad, northern Iraq







Tool gamelan, the island of Java







The statue of the two hounds, Lazio, Italy







Two-headed figure with the Society Islands







Sarcophagus Dzheho







The statue of the deity of Nimrud, northern Iraq





Women’s boots luck in high heels from Teri Greaves







Golden cast mark ruler or priest, Colombia







The statue of Eros, the Greek god of love







Ceramic cone Khaled Ben Slimane







Two lamps for the mosque from Egypt





Deer and pine trees in the snow – Japan.







Brass head of the monument from Benin







Brass plaque from Benin







Galaxy Tokuda Yasokichi III







Man-bird depicted on a boulder from Rapanui





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One of the greatest—and last—of the Nubians who ruled Egypt in the seventh and eighth centuries B.C., the pharaoh known as Taharqa restored the grandeur of ancient temples along the Nile while fighting off Assyrians who invaded from the north. Assyrian king Assurbanipal’s troops finally pushed him south to his Nubian homeland, where he died in 664 B.C.







After capturing city after city along the Nile River in 730 B.C., troops commanded by King Piye of Nubia storm the great walled capital of Memphis with flaming arrows. Piye modeled himself after powerful pharaohs such as Ramses II (statues), claiming to be the rightful ruler of Egypt. His triumph over the northern chiefs would unite all Egypt under Nubian rule for three-quarters of a century.







Rows of Nubian archers march in stride in a wooden model, about 20 inches high, discovered in Assiut in the tomb of an 11th dynasty provincial governor named Mesehti. This period, around 2000 B.C., was one of turmoil in Egypt, and many local chiefs recruited Nubians and other foreigners to fight in their armies.







The ruins of columns, along with one restored to its full height, mark the entrance porch that King Taharqa added to the Great Temple of Amun at Karnak, one of ancient Egypt’s most sacred sites.







Statues of Nubian kings up to ten feet high were found buried at the Nubian capital of Kerma, in Sudan. Smashed during Egyptian King Psamtek II’s incursion south around 593 B.C., they were recently reassembled.







At the height of his power, King Taharqa leads his queens through the crowds during a festival at the temple complex of Nubia’s Jebel Barkal, its pinnacle gleaming with gold. Accompanied by a sacred ship bearing an image of the god Amun, Taharqa is robed in a priestly leopard skin and crowned with the double uraeus that declares him Lord of the Two Lands—ruler of both Nubia and Egypt.







Queen Kawit, shown on her sarcophagus having her hair dressed, was one of the noble women believed to have been sent from Nubia to make diplomatic marriages with 11th-dynasty pharaoh Mentuhotep II.









At Jebel Barkal, Taharqa created a temple dedicated to the goddess Mut, the consort of Amun—part of a grand building campaign throughout his empire, from northern Egypt down into Nubia.







A lion devouring a Nubian, crafted during the 19th dynasty possibly as a fly-whisk handle, symbolizes the valiant ruler of Egypt subjugating the Nubians to protect his country and avert chaos.







Nubia was a major source of gold for ancient Egypt. At Thebes the tomb of King Tutankhamun’s viceroy to Nubia—a man named Huy—shows Nubian royalty in procession delivering rings of gold as part of their tribute to their overlord.







The skilled goldsmiths of Nubia created masterpieces such as a pendant of the goddess Isis from the tomb of a Nubian king at Nuri.







Centuries after Nubia lost control of Egypt, it continued to follow its neighbor’s tradition of marking royal tombs with pyramids, like these restored at Meroë. Today Sudan has more pyramids than Egypt

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